20-Apr-2009 09:46
One question for a Pearson ELT author
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Do you ever ask prospective learners (or textbook users) what they would like to see in a book? or Could a textbook be learner-generated if at all possible?
When am I going to get a coursebook at C2?
Would you give me an interview for my blog and, therefore, answer more questions?
teachervanessaprata.blogspot.com
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Do you consider affective factors when you write coursebooks for YLs? How? Why?/Why not?
How do you balance the number and variety of the activities you allocate to each skill in a unit. Does it depend on the topic?
ELT authors are responsible for many innovations in ELT. When planning a new book, are you conscious of the innovations in the new book. Do you plan the make the new book BETTER than any other book written for this level and BETTER than any other book you have written?
An editor, working for another publisher, said teachers and learners are conservative and don't like too much innovation. He told authors to write 92% traditional and 8% innovation. Is this balance correct? What do other teachers feel?
my own feeling is that in a 'general' coursebook (e.g. not a book made for a specific skill), there should be a good balance of all the skills, and that this does ot necessarily depend on the topic of a unit.
However, there are two caveats to this: in the first place the sequence of the skills and/or the way they are interlocked may have alot to do with the topic (or at least with the original stimulus to get a topic going). In other words, if you start a teaching sequence with an audio interview, that will determine, to some extent, how the skills are sequenced.
Secondly, I am a big fan of writing, but in some situations neither teachers nor students want too much writing. On the other hand, where coursebooks do take writing seriously many teachers and students are very grateful!
I can't iagine why any writer would NOT take affective factors into considerations when writing a YL book. If the kids feel in any way insecure or uneasy the learning is likely to be very negatively affected (notice the word!). Any YL writer will spend quite a lot of their time thinking about to draw the stduents in, engaging them, making them curious, interested, safe and bright.
It is a really good idea to ask students what they would like to see in a coursebook - as one of the many factors to take into consideration. Even more importantly, I think, it is a really good idea to give students some choice in the decision about what books to use. Nothing will make them feel better about a book than if they themselves have had a hand in choosing it!
Questions for a blogspot? Why not?!
The balance between innovation and offering teachers what they currently feel comfortable with is a constantly shifting and perplexing territory for coursebook writers, Too innovative and many teachers will take fright. Too 'traditional', ditto. The skill of some of the best writers is to trap, somehow, the zeitgeist and include it in their work - and then keep updating it as the years go by.
I fully agree with Jeremy about sequencing of skills. It's great when information gathered from a reading text is then used in a speaking acitivity and then expanded by a listening activity which leads to a note-making activity which prepares for a writing activity. This allows for repeated use of the same topic related language in different skill areas. It's also great when the skills sequence is related to social development, balancing individual, pair and group activities allowing students to practice language in different social contexts.
Dear Jeremy,
Thanks! I'll send you an email with the interview, then.
Vanessa
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